Jimi Tenor: Deutsche Grammophon ReComposedDeutsche Grammophon, 20061. Steve Reich: Music for Mallet Instruments, Voices and Organ 2. Esa-Pekka Salonen: Wing on Wing 3. Pierre Boulez: Répons, Section 14. Erik Satie: Vexations, Version 1 5. Edgard Varèse: Déserts 6. Nikolai Rimsky-Korsakov: Symphony No. 2 Op. 9 "Antar", 1. Largo 7. Erik Satie: Vexations, Version 2 8. Steve Reich: Six Pianos 9. Pierre Boulez: Messagesquisse, Tres rapide 10. Edgard Varèse: Ionisation 11. Erik Satie: Vexations, Version 3 12. Georgi Sviridov: Choral Concerto without words in memory of Alexander Yurlov, no. 3 Chorale
Arrangements: Jimi Tenor
Jimi Tenor: Deutsche Grammophon ReComposedTrack by track with Jimi Tenor
1. Steve Reich: Music for Mallet Instruments, Voices and Organ I went to Ilpo Väisanen´s house to record the intro. He had made a plate reverb there, from a plate I found on the roof. I just put though it some passages of various tracks. At least this one and Ionisation has some of that plate sound. It´s rough. By the way, Lary7 had showed us how to make these plate reverbs. Cheers Lary!Otherwise the track is some sort of a mutant reggae. Not very minimal after my arrangement, I´m afraid.
2. Esa-Pekka Salonen: Wing on Wing I bought a Nepalese drum from a gift shop and played it to every track for a while. It didin´t fit into this version but there are some incredible writing for French horns in the original.
3. Pierre Boulez: Répons, Section 1 Thanks Pierre letting me mess with your tracks! Would be nice to see one of this special performances with speakers here and there. 4. Erik Satie: Vexations, Version 1 I love Satie because he was the original hippie. Or rather last real bohemian artist, what I have understood. I played my piano in this one. It was so out of tune people have thought I played "prepared piano"! I had it tuned a week later… 5. Edgard Varèse: Déserts I am a big fan of Varese. I felt I need to do something a bit different to be worthy. Judge yourselves. 6. Nikolai Rimsky-Korsakov: Symphony No. 2 Op. 9 "Antar", 1. Largo These big orchestra pieces are a pain to destroy! Always instruments coming in, going out! Never a proper place where to make a clean edit! What where they thinking about in those romantic old days?
7. Erik Satie: Vexations, Version 2 This version was made without "being played". It was all step written and played with a Korg Polysix, which has a very basic sequencer in it. Uh, if not all, but say 90% of the sounds.
8. Steve Reich: Six Pianos I was seriously worried what Mr Reich would say about this. I think I made a real beautiful song, but still. 9. Pierre Boulez: Messagesquisse, Tres rapide I wanted to make some kind of a blue grass track out of this. Horsehair flying! 10. Edgard Varèse: Ionisation A classic. I made what I could. I made many versions and destroyed them. This one was left. 11. Erik Satie: Vexations, Version 3 Mongo Aaltonen plays a drum set in this one. Well done Mongo! 12. Georgi Sviridov: Choral Concerto without words in memory of Alexander Yurlov, no. 3 Chorale I had visited an old monastery in Kiev and this was influenced by the experience. A bit scary, I hope.
1. Steve Reich: Music for Mallet Instruments, Voices and Organ I went to Ilpo Väisanen´s house to record the intro. He had made a plate reverb there, from a plate I found on the roof. I just put though it some passages of various tracks. At least this one and Ionisation has some of that plate sound. It´s rough. By the way, Lary7 had showed us how to make these plate reverbs. Cheers Lary!Otherwise the track is some sort of a mutant reggae. Not very minimal after my arrangement, I´m afraid.
2. Esa-Pekka Salonen: Wing on Wing I bought a Nepalese drum from a gift shop and played it to every track for a while. It didin´t fit into this version but there are some incredible writing for French horns in the original.
3. Pierre Boulez: Répons, Section 1 Thanks Pierre letting me mess with your tracks! Would be nice to see one of this special performances with speakers here and there. 4. Erik Satie: Vexations, Version 1 I love Satie because he was the original hippie. Or rather last real bohemian artist, what I have understood. I played my piano in this one. It was so out of tune people have thought I played "prepared piano"! I had it tuned a week later… 5. Edgard Varèse: Déserts I am a big fan of Varese. I felt I need to do something a bit different to be worthy. Judge yourselves. 6. Nikolai Rimsky-Korsakov: Symphony No. 2 Op. 9 "Antar", 1. Largo These big orchestra pieces are a pain to destroy! Always instruments coming in, going out! Never a proper place where to make a clean edit! What where they thinking about in those romantic old days?
7. Erik Satie: Vexations, Version 2 This version was made without "being played". It was all step written and played with a Korg Polysix, which has a very basic sequencer in it. Uh, if not all, but say 90% of the sounds.
8. Steve Reich: Six Pianos I was seriously worried what Mr Reich would say about this. I think I made a real beautiful song, but still. 9. Pierre Boulez: Messagesquisse, Tres rapide I wanted to make some kind of a blue grass track out of this. Horsehair flying! 10. Edgard Varèse: Ionisation A classic. I made what I could. I made many versions and destroyed them. This one was left. 11. Erik Satie: Vexations, Version 3 Mongo Aaltonen plays a drum set in this one. Well done Mongo! 12. Georgi Sviridov: Choral Concerto without words in memory of Alexander Yurlov, no. 3 Chorale I had visited an old monastery in Kiev and this was influenced by the experience. A bit scary, I hope.
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